IT ALL STARTED BACK IN ABOUT 1996. YOUNG B AND JEHYDE RECORDED THIER FIRST SONG TO A CRISS-CROSS INSTRUMENTAL. WE ALWAYS HAD AN EAR FOR MUSIC, BUT NOT THE RIGHT EQUIPMENT. THE WORD SPREADED THAT WE HAD A LITTLE TALENT BUT OF COURSE NIGGAZ WAS HATIN. THE CRITICISM GOT THE BEST OF US AND WE BECAME DISCOURAGED. AS TIME PASSED, THE MUSIC INDUSTRY STARTED TO GET A LITTLE OUT OF HAND. ALL OF THESE NEW ARTISTS STARTED TO COME OUT WIT THAT BULLSHIT. SO WE FIGURED THAT WE COULD DO A WHOLE LOT BETTER THAN THESE FLUKE ASS NIGGAZ OUT HERE ON THE RADIO. FROM THERE, HISTORY WAS IN THE MAKING. AT FIRST THIS RAP SHIT SEEMED EASY. WE HAD NO IDEA THAT IT WOULD TAKE THIS MUCH WORK TO PRODUCE QUALITY MUSIC. OUR FIRST DISK WAS A LEARNING EXPERIENCE. THE SOUNDS AND CLARITY WAS NOT ALL THERE. THE INPUT FROM THE STREETS MADE THE WORK A BIT EASIER. HOMIES FROM AROUND THE WAY GAVE POSITIVE AND NEGATIVE FEED-BACK. THATS WHAT WE NEEDED. THANKS NIGGA. THE WORD FINALLY HIT THE STREETS. IT IS NOW KNOWN THAT THEM NIGGAZ DOWN THE VALLEY GOT WORK WIT THE MIC. NIGGAZ COULDNT BELEIVE IT. THEY HAD TO SEE IT FOR THEMSELVES. SO WE SHOWED EM. JEHYDE CAME WIT THAT GOOD SHIT ON HIS DEBUT ALBUM. THE STREETS SHOWED LOVE UNEXPECTEDLY. OF COURSE YOU GOT THE FAKE ONES WHO LOVE TO HATE, CANT HATE THAT, WE JUST LET THEM BE. NOW THEY FEELIN US. SO MANY NIGGAZ WANTED TO GET IN THE STUDIO AND RAP, THE SHIT WAS LIKE A MINI AMERICAN IDOL. THE BEATS BEGAN TO FORM INTO SOMETHING SPECIAL AND THE SACLINE ARTISTS PUT THE FINISHING TOUCH ON THEM. AFTER A COUPLE OF MONTHS OF PUTTIN IN WORK, WE WERE READY TO DROP ANOTHER CD. FEELINS GOT INVOLVED WHEN SACLINE STARTED TO LET THE STREETS HEAR THAT UNRELEASED SHIT. OUR MUSIC CIRCULATED THRU THE STREETS LIKE THE BLOODSTREAM OF A DRUNK MAN. QUICKLY. EVERYBODY ASKING US WHEN ARE WE GONNA LET THEM GET ON THE TRACK. THE ANSWER WAS WHENEVER WE NEEDED A DIFFERENT VOICE ON THE TRACK. SO MANY NIGGAZ WANTED TO TAG ALONG LIKE THIS WAS SOME KIND OF FREE RIDE. THEY WASNT THERE FROM THE BEGINNING, SO WHY TRY TO GET DOWN NOW. WE NOT HAVIN IT. SACLINE SOONED BECAME MORE FAMILIAR WITH THE BUSINESS SIDE OF THIS RAP SHIT. THE MORE INFORMATION WE RECIEVED THE MORE CONFIDENT WE BECAME. THE INFO BECAME IMBEDDED IN OUR HEADS, WHICH WAS REFLECTED IN OUR MUSIC. BUT FOR THE RECORD NOTHIN REALLY CHANGED. WE KEPT THE SAME ATTITUDE WE HAD WHEN WE FIRST STARTED. FUCK WHAT EVERYBODY SAY. THIS WAS OUR FIRST MAJOR PROJECT. WE DECIDED TO PRODUCE A SAMPLE CD JUST SO THE PEOPLE WOULD KHOW WHATS REALLY GOOD. THIS WAS TO INSURE SECURITY BEFORE WE JUMP INTO THE INDUSTRY. EVERYONE WHO WAS INVOLVED HAD SOME TYPE OF INPUT. AFTER A MONTH OR SO, WE CAME UP WITH THE CD THAT MADE YOU WANNA LOOK AT THIS WEBSITE. THIS SAMPLE CD RECIEVED ALL POSITIVE FEED-BACK. THANKS HOMIE. MEANWHILE BACK IN THE SACLINE STUDIO, SHIT WAS GETTING UGLY. SOME PEOPLE FELT THAT OTHERS HAD MORE EXPOSURE THAN OTHERS. THE CHOICE OF TRACKS BECAME A CONCERN. AS A GROUP WE ARE UNSTOPPABLE BUT INDIVIDUALITY ALWAYS PLAYS A PART. THIS COULD MAKE US OR BREAK US, HA-HA, NIGGAZ WAITIN TO REPLACE EM. THE FACTS GET DEEPER THAN WHAT YOU KHOW, BUT THIS IS ONLY THE BEGINNING. UNTIL THEN, STAY TUNED TO THIS SITE FOR FURTHER INFORMATION ABOUT SACLINES LATEST NEWS.