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Czech Directors
Jiri MenzelClosely Watched TrainsInterview 1968Interview 1968 EpilogueA Track All Its OwnMenzel and SexualityBohumil Hrabal and MenzelMenzel and the MiracleJerusalem Post ReviewLos Angeles Times ReviewBoston Globe ReviewMilos FormanBlack PeterForman Passer PapousekVera ChytilovaFilmographySomething DifferentDaisiesThrough Womens EyesInterviewWomen in Film21 Deputies Against DaisiesFrom Vera to the PresidentFirst Lady of the New Wave 1First Lady of the New Wave 2Film Analyses and History
Subversion in Eastern EuropeLeft and Revolutionary CinemaWomen Who Make MoviesHistory from Women in FilmNew Cinema in CzechoslovakiaPart 1Part 2The Cinema as Critic
1 Eastern Europe 1955 To 19712 Social Criticism3 Romantic Nationalism4 The Alienation of Youth5 Closely Watched Trains6 The Individual in Czech FilmThe Miracle and the Young Wave
1 Sunshine in a Net2 Preceding Generations3 Jires4 Forman Passer Papousek5 Nemec Juracek Krumbachova6 Through Womens Eyes7 Juracek8 Schorm9 Masa10 Menzel11 Kachyna and Prochazka12 Bocan13 Production Groups and FITES14 Brynych Danek Vlacil15 Good Entertainment16 Slovakia in the SixtiesZBibliography
BibliographyZRelated Links
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| Bocan |
| (By Mira & Antonin J. Liehm - 1977) |
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| Literary works also inspired another member of the young generation, Hynek Bocan (b. 1935), who displayed an exceptional sense of social irony and sarcasm in the films "No Laughing Matter" ("Nikdo se smat nebude" - 1965), based on a story by Milan Kundera; "Private Hurricane" ("Soukroma vichrice" - 1967), based on a novel by Paral; and "Honor and Glory" ("Cest a slava" - 1969), based on a novel by Michal. Self-irony, a sense of atmosphere, and an intellectual approach to the subject matter were characteristic of Bocan's talent. Contrary to his contemporaries - Bocan inclined more toward traditional cinematic techniques and the use of professional actors. (Copyright - The Regents of the University of California) |
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